Caesar Tin-U
Ms.Hicks
AP English Per. 2
16 December 2007
King Lear Response
Watching King Lear was a very helpful supplement to the reading of the play. From a modern technical standpoint, there is very little amiss in the handsome but chilly production of King Lear. But there's also almost nothing earth-shattering, nothing that will truly redefine the play if you have a long-standing familiarity with it, or leave you with a long-lasting imprint if you're discovering it for the first time, as it was in my case. Although the play was enacted beautifully for its generation in motion film, the actors unfortunately simply stood there while ranting text verbatim, making the play lose its grandeur on film.
When people think of a "Shakespeare film," this production should have been what people of the late nineteenth century would have been envisioning: a massive set, elegant costumes, adequate, unobtrusive lighting, and a steady camera hand. Couple this (with adjusted film expectations) with a literature class of some twenty students that has just finished reading and analyzing the play; you have a brilliant method of teaching. Not only does the film reinforce the text a student has learned, but it also gives students a way to accurately envision how the play must have been acted out in the past when it was first written.
Reading and understanding Shakespeare without viewing this play would have been very hard for any student who has not had a firsthand experience at acting out plays themselves. Within the text of King Lear there were many lines that were hard to visualize at a first glance, and further insight is necessary. By viewing King Lear, I was able to finally see the connections between the lines of quote, and the places where they actually belong / what they were referring to. Such a quote would be in the last scene with Cordelia dead and Lear holding her in his arms. The actor of King Lear intermediately paused between his lines, letting them soak into the viewer, thus enabling the segmented lines be fully interpreted by the audience before going on. In this case, I was finally able to understand to whom he was referring to as “the fool” who was hanged by the guards… which was Cordelia.